By Matt Rees
Italy, 1605: For the ruling Borghese kinfolk, Rome is a spot of grand palazzos and frescoed cathedrals. For the lowly artist Caravaggio, it's a position of tough bars, knife fights, and grubby whores. until eventually he's commissioned to color the Pope...
Soon, Caravaggio has won access into the Borgia family's internal circle, and turns into the main celebrated artist in Rome. but if he falls for Lena, a low-born fruit-seller, and paints her into his Madonna sequence as an easy peasant lady, Italian society is outraged. Discredited as an artist, yet unwilling to retract his imaginative and prescient of the lady he loves, Caravaggio is compelled right into a duel - and murders a nobleman.
Even his strong buyers can't guard him from a demise sentence. So Caravaggio flees to Malta, the place, sooner than he should be pardoned, he needs to endure the rigorous education of the Knights of Malta. His work proceed to talk of his love for Lena. yet ahead of he can go back to her, as a Knight and a noble,...
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Additional resources for A Name in Blood
On this reconstruction the word `PORTICUS ' would have crossed a section of the marble slabs, but that is not an uncommon feature in the Forma Urbis. Taylor (1966a) 96. The scale of late republican politics 29 Reconstruction of the Augustan Saepta. The central space is divided into two sections; a forecourt for the waiting crowds and a voting area with `pens' for the electoral units. voted would have to wait in a separate enclosure before they could be called forward. This separation of voters was crucial, in order to prevent those who had already voted from rejoining those still waiting.
According to Sempronius Asellio, Ti. Gracchus at the time of his death never went out with a following of fewer than 3,000±4,000 men, Gell. 4. This assembly may not have been legislative but elective, see Taylor (1963); (1966b); Earl (1965); Hall (1998) 22±6. Plut. Sull. 2, also mentions that Sulpicius, tr. 88, had with him a personal `army' of 3,000 men. 24 The scale of late republican politics that some laws were passed in comitia in which some tribes were not represented. 21 It is entirely feasible, considering the maximum capacity of the Comitium and the Temple of Castor, that some tribes were completely absent.
Thus, the paucity of Clodius' supporters implied in, for example, Sest. 58 Likewise, Cicero's own following was not just numerous, it represented the better part of the citizenry, and in particular that backbone of the Roman state which Cicero identi®ed as the local Italian elites. Cicero's comparison between the crowds condemning him to exile and those recalling him is therefore qualitative as much as quantitative. Contrary to what might be expected, greater prestige or authority was never drawn from the numbers attending an assembly.
A Name in Blood by Matt Rees
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