By David Ashton
The 3rd in David Ashton's sequence of McLevy thrillers, A Trick of the sunshine sees McLevy group up with Arthur Conan Doyle to pursue a ruthless killer. it really is 1860 and a accomplice officer, Jonathen Sinclair, arrives in Edinburgh with a sheaf of cash to buy a blockade-runner from Clydeside shipbuilders. he's betrayed to the Union forces and is shot useless through their mystery brokers. who're they and the place is Sinclair's cash? in the meantime, a gorgeous younger American spiritualist, Sophia Adler, is the toast of upper-class Edinburgh together with her dramatic seances. even if, she may possibly but turn out to be the deadliest girl McLevy and Conan Doyle will ever come upon.
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Additional resources for A Trick of the Light
Strangely enough, nothing much came to mind. Out of the ether, however, a voice sounded forth. ‘Away ye go, constable,’ said James McLevy. ’ As the grateful Ballantyne quit the scene, the lieutenant reflected, not for the first time, how his obstreperous, noisy subordinate had the ability to ghost up out of nowhere. At the most inopportune moments. McLevy shot the shamefaced Mulholland a look to blister tarmacadam, and then turned to gaze enquiringly at Roach. The lieutenant found he had an obscure need to defend his actions, but why should he?
It might have been a trick of the light from the flickering street lamps but it struck the inspector that the holy spires sticking piously up into the sky to remind God that they were aye on parsimonious and pious duty, were listing somewhat to the side; slanted, as if some insidious force were magnetising them from the straight and upright. However. It was only a trick of the light. October had almost gone, the dark half of the year approaching. Halloween. The old legends had it that evil spirits were abroad and it were best to be in disguise lest they steal your very soul; but all good Christians would be well protected, buttressed by faith, wrapped tight by rectitude, sin-proofed to Satan’s three-pronged attack.
I’ve seen the stripes,’ said Jean flatly. Indeed, the girl, who obviously specialised in waiflike crushed-flower creatures – what Hannah Semple, the keeper of the keys of the Just Land, would call one o’ thae lily pads – had shown Jean the livid marks a certain ship-owner had quirted on her lower back and buttocks. There was an element of seduction in the display and Jean was reserving judgement on Simone, the French aye being a tricky proposition, but one thing was for sure – the skin did not lie.
A Trick of the Light by David Ashton
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