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New PDF release: Absolute Artist. The Historiography of a Concept

By Catherine M. Soussloff

This is often the 1st ebook to investigate the artist's biography as a rhetorical shape and literary style instead of as an unassailable resource of truth and information.

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On all grounds, my work argues against positioning biography as an alternative, secondary, or unnecessary genre or narrative, just as it argues against the privileging of the discursive category "object" over "the artist" in the discipline. The alternative proposed here is to locate the biographies in their own reality, in discourse. Important issues concerning Gombrich's rejection of psychoanalysis and the appropriation of Popper's view of historicism remain to be addressed. I have not covered all of them in this book.

I'm not saying .. ,49 On the Threshold of Historiography 7 3 7 Whether in the text of a biography of Michelangelo or in Life Lessons, "the artist" has a cultural presence that heretofore has seemed beyond speech or discourse. That is the myth that will be explored in the final chapter of this book. It is time to bring back the stench and sweetness of the bodies of the artists, of their histories, of the writing about them, and of their political realities. Let me conclude by examining the expectations that the genre of biography, especially the biography of the artist, elicits from us.

They have been contributing to the idea of the artist that society holds as they have been appropriating aspects of it. 10 The inversions or perversions of artistic identity come up frequently as a theme in contemporary art practice. For example, Komar and Melamid, the name used by two artists from the former Soviet Union for one artistic identity, play extensively with the idea of the artist's selfconstruction (figure 3). They invented an eighteenth-century Russian artist, Apelles Ziablov, named after the most famous Greek painter; they appropriated the name of an unknown artist, Nikolai Buchumov, whose painting they found in a garbage dump in Moscow, in order to be able to exhibit works in a "realist" style.

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Absolute Artist. The Historiography of a Concept by Catherine M. Soussloff

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