By Lucy Fischer, Angela Dalle Vacche, Jennifer M. Bean, Sumiko Higashi, Professor Michael Aronson, Professor Mark Anderson, Professor Sara Ross, Professor Gwenda Young, Professor Maureen Turim, Marcia Landy
In ten unique essays, American Cinema of the 1920s examines the movie industry's persisted development and prosperity whereas targeting vital topics of the era.
Read Online or Download American Cinema of the 1920s: Themes and Variations PDF
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Extra info for American Cinema of the 1920s: Themes and Variations
W. Grifﬁth), in The Torrent (Garbo’s debut American ﬁlm), the Swedish player formulates a new kind of screen woman: sophisticated, headstrong, alluring, and independent. Turim also considers masculine ﬁlm genres of the year in her examination of Beau Geste, directed by Herbert Brenon and featuring Ronald Colman. ” Hence, she sees the movies of the year as struggling to “deﬁne gender,” oscillating between a variety of cinematic heroines and the nationalist male hero. The “New Woman as Consumer” is Sumiko Higashi’s interest in discussing the works of 1927.
S. soldiers ﬁtfully continuing their role in an allied invasion of the newly socialist country, a military incursion intended, in part, to assist British, Czech, and “White” Russian forces attempting to overthrow the still-shaky Bolshevik government. While all the papers offer generally supportive rhetoric for Palmer’s raids and the “local drive on Bolsheviks,” their headlines and general reportage reveal, in comparison, a less sympathetic attitude toward the continued use of American soldiers in a postArmistice foreign conﬂict (“Reds”).
Her activities in Waukesha on the day leading up to her appearance at the Park included, not surprisingly, a professional courtesy call on the town’s two biggest department stores, the McCoy and the Enterprise, a brief stopover at the popular Waukesha Mud Baths for an introduction to the beneﬁts of “restoring health by means of mud,” and a touching personal visit to Resthaven, a convalescent hospital and home for injured local veterans, where she “conversed [with] some of the war heroes and prevailed upon them to relate to her their war experiences” (“Edith May”).
American Cinema of the 1920s: Themes and Variations by Lucy Fischer, Angela Dalle Vacche, Jennifer M. Bean, Sumiko Higashi, Professor Michael Aronson, Professor Mark Anderson, Professor Sara Ross, Professor Gwenda Young, Professor Maureen Turim, Marcia Landy
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